![]() ![]() Even those wishing to make the transition from flatpicking with a plectrum to fingerstyle will find a range of challenges fitting their abilities. Every one of them is definitive and, most important, accessible to a range of guitar players from intermediate to advanced. Steve is extremely adept at arranging songs for solo guitar which were originally performed by ensembles both large and small. ![]() Well known compositions such as “Stormy Weather,” “Bye Bye Blackbird,” “My Melancholy Baby,” “On the Sunny Side of the Street” and “Sweet Georgia Brown” are enhanced by the inclusion of lesser-known gems like “Some of These Days” and “You Took Advantage of Me.” Louis Blues” and Ory’s “Muskrat Ramble” with a combination of down home grit and sophistication. Acknowledging his blues bonafides, Steve presents Handy’s “St. Handy, among others, as well as New Orleans trombone legend Edward “Kid” Ory. ![]() Texas blues and jazz guitarist extraordinaire Steve Howell has mastered the technique to a high degree, matched by only a select group of his peers and predecessors.įingerpicking Early Jazz Standards in standard notation and tablature features fifteen prewar classics expertly transcribed by Steve from the American songwriting giants the Gershwins, Irving Berlin, Duke Ellington, Rodgers and Hart and W.C. Guitarists, on the other “hand,” need to develop exceptional dexterity and intelligent note choices to make six strings sound like the “little orchestra in a box” Beethoven so memorably described. Playing chord melody on the 88 keys is a natural for pianists who have the use of ten fingers at the ready to play simultaneous chords and bass figures with the left hand, and melody with the right. Steve Howell: Fingerpicking Early Jazz Standards(Hal Leonard Corporation) ![]()
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